Avid Tutorials
Learn Avid
Genius DV.com
- Working with Alpha Channels - replacing the fill
- Working with 16×9 footage
- Adding Effects to Avid Titles
- Creating Gleam effect with Avid title tool
- Pleasantvile Effect for Avid
- Avid Xpress creating a moving filmstrip
- Avid Xpress DVD Export Settings
- Using the Avid Xpress Media Tool
- Creating customized plasma wipes using Photoshop
- Adding customized Quick Transitions for Avid Xpress or Media Composer
- Applying a plasma wipe or transition to an Avid title
- Rotating picture-in-picture with 2 sides (front and back)
- Giant Crawling text with alpha matte fill
- 3D Avid page curl with two different sides on front and back.
- Avid Marquee Basic Animation tutorial
- Using Time Shift to slow down audio with Avid Xpress
- Creating a speed ramp with Avid Xpress
- Paint Brush Effect using Avid Animatte Effect
- Kens Burns Effect Using Avid Pan and Zoom for Media Composer / Avid Xpress
- Media Composer Paint effect for tracking and cloning
- Animating a title on a path with Avid Marquee
Avid Community
- 5 More Keyboard Shortcuts
- Accessing P2 Media in Media ComposerExpanding Library of Media Composer Tutorials
- Adding a sound foley in Avid Media Composer
- All the Colours of the Rainbow
- Audio Level Adjustment in v3.5
- AudioSuite Timeshift Plugin to shorten Audio Clip
- Avid DS Customizing Wacom Tablet
- Avid Interplay - Tip on getting footage TO your editor
- Avid Marquee Tutorial #2: Creating a Simple Title
- Avid Marquee Tutorial created by Avid Technical Publications Group
- Avid Software Licensing Training
- Avid Software Licensing Training
- AvidFX Text Tool - 1Exporting and Importing Audio in Avid Media Composer
- BCC Chroma Keying Workflow in Avid Media Composer
- Blu-ray Made Easy: A three part guide from Avid editing systems to Sorenson Squeeze to Avid DVD by Sonic
- Changing the Thumbnail of a Clip Choosing Format and Frame Rate Copying and Pasting Clips
- Creating Glow Effects with Boris Continuum Complete AVX
- Easy Slow Motion
- Emulating a Liquid Timeline
- Expanding Library of Media Composer Tutorials
- Expanding Library of Media Composer Tutorials
- Five Puddles And A Funeral
- From Avid Media Composer to DVD in easy steps
- How to work with 24P and filmscribe
- Introduction to using the Panasonic HVX200 camera with Avid Media Composer
- Making the Move from Avid Xpress Pro to Avid Media Composer
- Marquee Tutorial #1: Once Around the Interface
- MC direct to AvidDVD (DVDitProHD) or through a 3rd party Encoder?
- Media Composer Export to Avid DS
- Module 1, Lesson 1 - Creating a Project - Avid for Final Cut Pro Users
- Module 1, Lesson 3 - Where to find Avid files - Avid for Final Cut Pro Users
- Module 1, Lesson 4 - Project Differences - Avid for Final Cut Pro Users
- Module 2, Lesson 1 - Logging and Digitizing - Avid for Final Cut Pro Users
- Module 2, Lesson 2 - Using Excel to Log Footage - Avid for Final Cut Pro Users
- Module 2, Lesson 3 - Using FileMaker Pro to Log Footage - Avid for Final Cut Pro Users
- Module 2, Lesson 4 - Importing Final Cut Pro Logs - Avid for Final Cut Pro Users
- Module 2, Lesson 5 - Using Telecine Logs - Avid for Final Cut Pro Users
- Module 2, Lesson 6 - Importing from other programs - Avid for Final Cut Pro Users Outputting and Delivering P2 Media
- P2 clips from Focus drives to MC - Manual Workflow without AMA
- Protecting P2 Assets
- Restricting Clip Movement when Moving between Tracks Reverse Effect
- Superbin Basics
- The SubCap Generator and Japanese Text Thumbnails - Resizing, Sorting and Printing!
- Timeline Settings To ensure successful burn to Avid DVD for playback on PS3 (Playstation 3)
- Toggle Source/Record and Viewing Audio Tracks
- Toggling between Source and Record monitors in the Timeline
- User Tip: Using Interlaced Material in a Progressive Project
- Who am I?
- About my Set-up
- Where is the timeline?
- Now I have a timeline - What next?
- A simple mistake when capturing for the first time
- Does MC have “Instant-save”?
- HDV and the Long GOP” error - problem and solution
- The Fast Menu “Hamburger”
- Checking for duplicates and shared clips
- Removing an Effect
- Quick Dissolve
- Very basic look at some Media Management
- “Missing Black” error
- Undo / Redo
- Adding colour to your timeline
- Customising your Timecode window
- Layout flexibility
- “Add-edit” similar to Liquid’s “Razor Tool”
- TitleDekoPro may be in your MC if you migrated from Liquid!
- Source/Record track selection
- Entering and exiting “Trim-Mode”
- Opening Pop-up Monitors
- Very basic Keyboard-mapping
- Setting up the Timecode Display
- Fluid Morph
- Creating a simple slow-motion effect
- Changing a Clip’s Thumbnail
- Apply an Effect to Many Clips at the same Time.
- Emulating the Liquid Timeline
- Shorten Audio Clip with AudioSuite Timeshift Plugin
- Timeline set-up and adding tracks
- The Superbin - very basic introduction
- Adjusting the thumbnails in bins
- Using “Source/Record” Toggle to view audio tracks
- 2 methods of copying and pasting clips
- Restrict the movement of clips when moving them between tracks
- Adding “Black” as opposed to “Fillers”
- Mapping the “Toggle Source/Record” button
- Resizing Timline tracks
- Selecting timeline to the left/right of the cursor
- Audio gain and Keyframes
- Simple Vignette created by the Paint Effect
- My thoughts about getting from MC to DVD or Blu-Ray
- Saving and Sharing a newly created Effect
- AMC and DVDitPro HD (AvidDVD) part 1 of 6
- AMC and DVDitPro HD (AvidDVD) part 2 of 6
- AMC and DVDitPro HD (AvidDVD) part 3 of 6
- AMC and DVDitPro HD (AvidDVD) part 4 of 6
- AMC and DVDitPro HD (AvidDVD) part 5 of 6
- AMC and DVDitPro HD (AvidDVD) part 6 of 6
- Stretching an Audio track
- Squeezing an Audio track
- Changing Language can cause MC to hang.
- Paint-a-path with AvidFX – Part 1
- Border around Record Monitor flashes when playback starts
- Using “Match Frame Edit”
- Paint-a-Path with AvidFX – Part 2
- Fading a Title Clip - 2 methods
- Drag & Drop to create Sub-clips
- AvidFX Text Tool - Part 1
- BCC Optical Stabiliser Filter
- Moving the Source-monitor Track-selector!
- A few Keyboard Shortcuts
- Reverse Effect
- 5 More Keyboard Shortcuts
- The SubCap Generator - Entering Japanese Text
- The SubCap Generator 2 - Exporting a SubCap to AvidDVD
- Audio - 2 - Manually adjusting the Gain
- Audio - 3 - Automatically adjusting the Gain
- Changing the colours of Timeline Tracks and Clips
- Trimming a clip to a Mark
- The Replace Edit Button
- Trim Mode - Two Customisation Tips
- Pseudo-Timelapse Effect
- Easy way to slowly change a Clip from Colour to B&W
- Removing an Object with Motion Tracking and Clone Painting
- Secondary Colour Correction in MC?
- Nudge Nudge!
- Playback and View Sequences in the Bin
- Isolate (Solo) a Track on the Timeline
- Lift, Extract and Lassoo - Basics
- Clips on the Timeline - Information Customisation
- Avid Pan & Zoom
- BCC Pan & Zoom
- LFrom MC to WWW - Part 1. Exporting
- From MC to WWW - Part 2. Encoding
- From MC to WWW - Part 3. Uploading
- A Split Screen Effect using “Crop”
- Using Keyframes in Effects
- No Visible Waveform or Audio Levels
- Quick Transition Bin
- Creating a “Freeze-Frame”
- Preparing & Importing and Image with an Alpha Channel
- Global Audio Adjustment
- Move/Copy Files to or from the SuperBin
- Handwriting Effect using AvidFX and a Font of your own choice
- Handwriting Revisited
- A Bullet List made with AvidFX
- Stumbling around in the Effect Palette - A Ray of Light!
- Multiple FX on 1 Clip - Basics of Nestings
Tutorial Index
- Using the Avid Media Tool to manage Media
- Fixing Avid Xpress underrun adm errors
- Avid Xpress DV - Pro Pleasantvile Effect
- Avid Xpress DV - Pro Title Gleam Effect
- Adding Effects to Avid Titles
- Avid Xpress DV - Pro 16:9 mystery solved!
- Avid Xpress DVD Export Settings
- Working with Alpha Channels - replacing the fill
- Creating a blur effect for an object in Avid Xpress
Creative COW
- ArtFXual Avid Marquee Demystified
- Inside Avid Xpress Pro
- Avid Xpress Studio, DVD Basics in Avid Xpress Studio
- Avid XPress Pro & DV by Steve Hullfish, Chris Phrommayon & Bob Donlon
- Avid Xpress Pro: 15:1s to DV 25 411
- A Talk with Medéa and Avid
- Arranging video clips to match sound
- AVID rolls out HD, 10bit and SpectraMatte
- Using Avid Xpress Pro and Mojo by Bob Donlon
- AAF and MXF: Advanced Authoring Format
- Custom Transitions with AVID Animatte
- Demystifying HDV Workflows
- EDL, a tutorial from Dennis Kutchera
- Keeping Corner Pin Compositing inside Avid with the help of Boris Continuum Complete AVX 4
- Avid Xpress Pro for Windows and Macintosh (Visual QuickPro Guide)
- Difference Matting within the Avid
Hershleder.com
- AUDIO – Importing Considerations + Introduction to EQ And AudioSuite Tools
- AUDIO – Level Adjustment Features in Version 3.5
- BLACK – Adding Black At The End Of The Timeline
- COLOR CORRECTION – Keyframeable Color Correction in Version 3.5
- DIGITIZING / CAPTURING TIPS – Subclipping, Adding Locators, Naming, Etc.
- EFFECT – Creating The Pleasantville Effect
- EFFECTS AND EFFECT TEMPLATES – Applying Effects And Creating Templates
- EFFECTS – Nesting View in Version 3.5
- FINAL CUT PRO – Going From FCP to Avid: An Introductory Tutorial
- FIND FUNCTION – Uses In The Timeline
- FONT DISPLAY IN THE GUI – Reducing Eye Strain
- ICONS – Changes To Icons In Version 3.x
- J-K-L KEYS – Functionality When Editing And Trimming
- KEYBOARD EXCHANGE – Get Ideas From Other Editors’ Mapping
- KEYBOARD SHORTCUTS – Keyboard Shortcuts for Avid Media Composer
- LASSOING – Lassoing Uses And Tricks
- LOCATORS – Stop Source Locators Copying Into The Timeline
- LOGGING – Logging Clips From The Keyboard
- LOOP PLAY – Looping Just The A-Side Or Just The B-Side In Trim Mode
- MEDIA FILES – Revealing Media Files At The Finder Level
- MEDIA – Determining Media Storage Needs
- MEDIA – Determining Space Available On A Drive or Partition
- MEDIA – Standard Def. (SD) OMF & MXF Resolution Specs & Storage
- MODIFYING CLIP DATA – Making Modifications After Capturing/Digitizing
- MOTION EFFECTS – Improving Smoothness With Traditional (Non-TimeWarp) Motion Effects
- PLAYLENGTH TOGGLE – Improving System Response
- POSITION INDICATOR (BLUE LINE) – Making It Snap To Head Or Tail Frames
- QUICKTIME – Helpful information About The QuickTime File Format
- REPLACE EDIT FUNCTION – The Power Of “The Mysterious Blue Arrow”
- SCREEN SNAPSHOTS / SCREEN GRABS – How To Take Screen Snapshots On A Mac
- SEGMENT MODE SNAPPING – Forcing Snap to Head, Tail Or To Be Constrained
- SEGMENT MODE – Selecting And Nudging
- SEGMENT MODE – Turning off the images for faster redraw
- SOURCE LIST – Making A Source List Without EDL Manager
- SPACEBAR – Functionality When Editing And Trimming
- SUPERBIN – Avid SuperBin Secrets Revealed
- TIMELINE VIEWS – How To Create Custom Timeline Views
- TOOLSETS – Basic Set-Up And Advanced Linking
- USER SETTINGS – Best Practices In The Age Of Adrenaline, DX And Beyond
VTC.com
Avid Express
- Creating or Loading a Project
- The Choose User Profile menu
- Importing a Project from Another System
- Creating a User Profile
- Importing/Exporting a User Profile
- The Fast Menu: Displaying Settings
- Creating/Duplicating a Settings
- Changing a Setting
- User Profile Selection in Xpress Pro
Moviola.com
- Determining Media Storage Needs
- Determining Space Available on a Media Drive
- Drive Striping Tables
- P2 Workflow with Avid
- Standard Def. (SD) OMF & MXF Resolution Specs & Storage
- Media Composer 101 course
- Media Composer 110 course
- Media Composer 201 course
WonderHowTo.com
- Use Avid Xpress Studio
- Work with Red camera files in Avid
- Use Avid Interplay Assist
- Work with P2 media in Avid Xpress Pro
- Use Avid Interplay Window
- Color correct in Avid Liquid
- Edit video using Avid Media Composer Adrenaline HD
- Use Avid Instinct
- Use Avid Studio Toolkit HD
- Use the Panasonic HVX200 with Avid Media Composer
- Do motion tracking with Avid Symphony Nitris
- Edit video using Avid XPress Pro HD
- Use the SpectraMatte Key Effect in Avid
- Work with XDCAM media in Avid Xpress Pro
- Capture footage in Avid Media Composer
- Use basic editing in Avid Media Composer
- Do secondary color correction in Avid Symphony Nitris
- Create a transition and title in Boris BLUE 2
- Create titles with the Avid Marquee Title Tool
- Work with HD in Avid Media Composer Adrenaline HD
- Capture and import video into Avid Liquid
- Edit audio in Avid Liquid 7
- Manage formats in Avid Liquid
- Output your project to a DVD in Avid Liquid
- Edit in Avid Liquid
- Use the effects available in Avid Liquid
- Use Final Effects Complete 5 AVX transitions in Avid
- Get started using Avid Media Composer
Boris FX
- Avid Glow
- Using Graffiti in Avid
- Working with the Optical Stabilizer Filter
- Corner Pin Compositing Inside Avid
- Working with the BCC AVX Motion Key Filter
- Working with the BCC AVX Corner Pin Filter
- Creating Precise Keys in Continuum Complete AVX
- Applying Multiple Filters to Avid Titles
- Light Painting
Post Magazine
- TUTORIAL: AVID DS BASIC EXPRESSIONS - PART 1
- TUTORIAL: AVID DS BASIC EXPRESSIONS - PART 2 - Video Library
- TUTORIAL: MEDIA COMPOSER EXPORT TO AVID DS - Video Library
- TUTORIAL: STEREOSCOPIC SETUP BASICS IN AVID DS V.10 - Video Library
- TUTORIAL: THE MOTION PARALLAX PLUG-IN FOR AVID DS - Video Library
- TUTORIAL: CUSTOMIZING WACOM’S TABLET FOR USE WITH AVID DS - Video …
- TUTORIAL: USING AUTOMATIC DUCK TO TRANSFER FROM FCP TO AVID DS …
- TUTORIAL: AVID DS MATTE CONTAINERS - Video Library
- TUTORIAL: DETECTING REPEAT FRAMES WITH AVID DS - Video Library
- TUTORIAL: PAINTING & TRACKING IN AVID DS
Media Assist
- Avid Editor Quicktime Work Flow For Proper Brightness Levels
- Monitor Gang
- Continuum Complete AVX Motion Key Tutoria
- l3D Effects in Avid Xpress Pro
YouTube
Avid Liquid
- Tutorial Avid Liquid - Introduction to proffesional movie editing
- Editing & Interface Basics Avid Liquid Tutorial (Part 1/2)
- Editing & Interface Basics (Part 2/2) : Avid Liquid Tutorial
- Sound Effects Music Avid Liquid Tutorial
- Avid Liquid Tutorial - Color Correction (Pleasant Ville Effect)
- Advanced (Chroma) Key - Avid Liquid Tutorial
- DVD Authoring How to make interactive DVD menus Avid Liquid : BAD V…
- Avid 3D Demo Reel : Studio Toolkit
- Importing 3D Models | Hollywood FX | LightWave 3D | Avid Liquid Tut…
Avid Media Composer®: Avid & P2 from shoot to edit
- Overview - P2 Workflow with Avid Editors
- Choosing Format and Frame Rate - P2 Workflow with Avid Editors
- Accessing P2 Media - P2 Workflow with Avid Editors
- Protecting P2 Assets - P2 Workflow with Avid Editors
- Outputting P2 Media - P2 Workflow with Avid Editors
Avid MetaFuze®: More file types, more metadata
Avid Media Composer®: Effects Palette
- How To Create Real-Time Overlays of Source and Record Metadata Usin…
- Image and Timewarp Effects - Making the Move (Sample 6 of 6)
- 3D and Keying Effects - Making the Move (Sample 5 of 6)
- How To Create and Edit Open Captions with AVX Effects
- Creating Transitions with Avid FX
- Effects Compositing with Avid FX
- Creating Filters with Avid FX
- Animating Titles with Avid FX
- 3D Compositing with Avid FX (Part 1 of 2)
- 3D Compositing with Avid FX (Part 2 of 2)
Avid Xpress® Pro: Introduction to Avid Xpress Pro
- Pan and Zoom with Avid editing systems
- Mix HD Camera Formats with Open Timeline
- Multi Camera Editing
- Media Management with the Media Tool
- Media Management with the Composer window
- Media Management with Bins in Avid editing systems
- Image Stabilization with Avid editing systems
- Trim Mode with Avid editing systems
- Customizable toolsets in video editing software with Avid
- Automatic Color Correction with Avid editing systems
- Animated Alpha Channels with Avid editing systems
Making the move to Avid Media Composer®
- Introduction - Making the Move (Sample 1 of 6)
- Media Composer Interface - Making the Move (Sample 2 of 6)
- Working with Projects - Making the Move (Sample 3 of 6)
- Media Composer Editing - Making the Move (Sample 4 of 6)
- 3D and Keying Effects - Making the Move (Sample 5 of 6)
- Image and Timewarp Effects - Making the Move (Sample 6 of 6)
- Avid MetaFuze - part 1 of 2; sequential files to DNxHD
- Avid Media Composer 3.0: New Features & Product Enhancements
- AVX SubCap Effect - Avid Media Composer Tutorial
- AVX Timecode Effect - Avid Media Composer Tutorial
- P2 Avid Media Composer Tutorial - 04: Output
- P2 Avid Media Composer Tutorial - 03: Protecting P2 Assets
- P2 Avid Media Composer Tutorial - 02: Access & Edit
- P2 Avid Media Composer Tutorial - 01: Frame Rates & Formats
- P2 Avid Media Composer Tutorial - 00 Intro
- XDCAM EX Clip Browser V2 and the Avid Media Composer
- Panasonic AVCHD with the Avid Media Composer
- Avid - Red Workflow Part 1
- Avid - Red Workflow Part 2
- Re: Avid - Red Workflow Part 1
- P2 Frame Rate Conversion for the Media Composer
- XDCAM EX with the Avid Media Composer
- How Not to blur a Title in Avid Media Composer
- Avid’s Timeshift Audio Plug in
- Offline - Online P2 workflow with Avid Media Composer
- Epidode One: Using the Animatte …
- Episode Two: Composer Settings
- Episode Three: Toolsets
- Episode Four: Audio Mixer Tips
- Episode Five: Using the SuperBin
- Episode Six: Using the Attic folder
- Episode Seven: Hiding a Blur
- Episode Eight - User Profiles
- Episode Nine: Intraframe Editing…
- Episode Ten: Creating Custom Wip…
- Episode Eleven: Motion Tracking
- Overlapping Picture and Sound in Avid Express Pro 5.5
- Creating Titles in Avid XPress Pro 5.5
- The Three Point edit in Avid XPress Pro 5.5
- Trim Mode Overview in Avid XPress Pro 5.5
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